NOTE: This column of text is not meant to be a 1:1 image to text conversion, or even very readable. It’s meant to list keywords for search query purposes.

PAGE# 0001

FedEx
Express

Contents:
One Letter
One Private Journal

PAGE# 0002

Michael,

As promised here’s the Andrew WK journal. From what I can tell he was keeping this from 1998 until at least 2001 if you check the dates inside.

I didn’t explain this earlier but I used to be one of Andrew’s roommates in New York. It was only for a while but it was pretty memorable. He was actually a pretty lame roommate. Total loner and never partied at all, antisocial, almost sociopathic. He tried to get me to join his band project but I thought the music was shit and I turned him down.

After that he never really talked to me again. He wouldn’t tell me what he was working on and the dude became pretty secretive and guarded verging on paranoid. But I always knew he was up to something because he would sit at the kitchen table and be writing and drawing every night. He accidentally left a box of random crap in my van when I was moving out of the apartment. It was mostly some of his old clothes, some books and porn magazines and this journal. I never told him I had it. I just kept it. I’m glad I didn’t toss it but I’ve always felt guilty about holding on to it so I’m trying to do something redemptive by sending this to someone who might actually give two shits about it.

I did hear Andrew mention that all his journals were lost when he was moving to Florida after 911. The truth is I had this journal even before then. I was pissed off at Andrew for a long time over a bunch of different bullshit and I felt like he owed me a lot. I guess I didn’t feel like doing anything nice for the dude during all that time. Hard to believe that was almost 23 years ago.

Anyway here it is with all the extra crap he kept in the pages. Do whatever you want with it. And although I still think Andrew is a dumbass and that his music is utter garbage, l’ve got to admit I’ve sorta grown to respect his borderline psychotic commitment to keeping up his same schtick all this time. Even though I still think he schtick is fucking moronic.

For all we know Andrew intentionally left this journal behind hoping that someone would find it and do exactly what I’m doing now. Who knows right? Dude is a major fucking nut job.

Steev

 

PAGE# 0005

Composition Book

No Yes

Andrew W.K.
Vision Mission

1998
Private NYC

Keep on working

Pen-Tab
Pen-Tab Industries, Inc.
Front Royal, Virginia 22630
MB100/50101

PAGE# 0007

This is my world

Noise Intensity NYC Music or die Art

PAGE# 0009 EQUIPMENT AND GEAR STEP ONE

9/20/1998
New Recording System
Computer 2,000
Cards – Audio 340
Cards – Midi 100
Software 320
Mixer 450
CD-R Burner 1200
Moniter Amp 180
Speakers 250
$4,840 – A: Need more details on this number SM

2500
1000
300
1600
1100
750
7250

Keyboard Audition
Cafe Wha!?
115 Mcdougal Street

Tuesday Sep 22
(dress up nice)

(don’t be late!)

9:pm

PAGE# 0011

Cracker Jack
Ball Players

Connie Mack, Philadelphia Americans

PAGE# 0011b

Cracker Jack
Ball Players

Connie Mack, Philadelphia Americans

PAGE# 0012

12

Cornelius J. McGillicuddy (Connie Mack), manager of the Philadelphia American League team, was born at Brookfield, Mass., in 1862. His first ap appearance as a professional was with the Meriden, Conn., team in i884, as a catcher He played with Washington three years, and caught for six years for Pittsburgh and managed that team from 1894 until 1866. In 1901 he went to Philadelphia and estab lished the Athletics of the American League.

This Is one of acres of pleturen of unun Ball Players and Managers In the American. National and Federal on Popcorn with Cracker Jack, gluten. Free Confeetlon,one yard In cache package. Send 100 Cracker Jack Coupons or 1 Coupon and 25e. to OTAGO OFFICE for complete set of 126 Pictures. Handsome Album to hold fall set of pictures sent postpaid for 50 Cpu ponsor 1 Coupon and 1 de In en or stamps. RUECKHEIM BROS. & ECKSTEIN Brooklyn, NY

Chicago, II.

PAGE# 0012b

12

Cornelius J. McGillicuddy (Connie Mack), manager of the Philadelphia American League team, was born at Brookfield, Mass., in 1862. His first ap appearance as a professional was with the Meriden, Conn., team in i884, as a catcher He played with Washington three years, and caught for six years for Pittsburgh and managed that team from 1894 until 1866. In 1901 he went to Philadelphia and estab lished the Athletics of the American League.

This Is one of acres of pleturen of unun Ball Players and Managers In the American. National and Federal on Popcorn with Cracker Jack, gluten. Free Confeetlon,one yard In cache package. Send 100 Cracker Jack Coupons or 1 Coupon and 25e. to OTAGO OFFICE for complete set of 126 Pictures. Handsome Album to hold fall set of pictures sent postpaid for 50 Cpu ponsor 1 Coupon and 1 de In en or stamps. RUECKHEIM BROS. & ECKSTEIN Brooklyn, NY

Chicago, II.

PAGE# 0013

3/20/1998

NYC

NOTES FOR MUSIC AND RELATED ELEMENTS IN MY NEW PRESENTATION (STATEMENT TO MYSELF) Trying to be “innovative” in any profoundly meaningful way is essentially a fool’s errand when it comes to music genres.

Besides music as a sensory experience, transcends (struck-through) the egoic idea of innovation anyway. It doesn’t really matter if it’s innovative if that sonic or musical “innovation” doesn’t deliver anything of sensational value.

What matters in any worthwhile encounter with music, is the power of the cumulative and multifaceted sensation that the audience experiences.

So, the area of innovation (more worthwhile) is all the surrounding areas, in the vicinity of the music (struck-through). I can have a chance at innovating in everything around the music. The psychological atmosphere. That area is still relatively untapped, uncharted, so much potential!!!

Make innovations in all the feelings the audience gets from what the music is happening INSIDE OF How the entertainment is presented. Manufacture magical contexts. This area is SO neglected if not altogether overlooked by most “musicians”. Actually, they intentionally dismiss this area as somehow being beneath them, despite it being incredibly fertile ground for the imagination of both the “musician” (creator) and the audience. (struck-through)

PAGE# 0014

RULE IT, ANDREW!
RULE IT!!!

There are so many moves to be made in this realm. ESPECIALLY if they are made with extraordinary calculation, patience, and with the upmost restraint.

The number-one-problem most people have is that when they do have the courage to venture into this area they can’t help but blurt it out and show their hand. The urge to reveal what you’re doing to the audience is enormous – this is part of the bargain. You want to show how the magic trick is being done, but not only can you not reveal the secrets of the trick, YOU CAN’T EVENT REVEAL THAT YOU’RE PERFORMING A TRICK IN THE FIRST PLACE.

Think of it like this Andrew: You must become so adept at slight of hand that very few (or even no one) will realize that you’re even using slight of hand at all. It’s like disappearing without most of the audience even realizing you were there to begin with.

ANDREW: Focus your biggest creative ambitions on long-range audience manipulation and psychological (perception) performance. But, at the same time, you must not neglect the more primal and immediate surface areas of your music work. They both count. Make your music as objectively “good” as you can within the accepted and beautiful limits of the craft. But put your imagination’s greatest abilities to work in the larger world that you build around the music.

PAGE# 0015

3/17/1998

but high produce the music themes

and

. MY NEW MUSIC STYLE 3/17/98 NYC –

Total sonic maximalism, within and

the standard accepted linitations and formal structures hard roch” music. A

of a o Make initial visual presentations relatively sparse – and obscure, Dark and even malevolent Imagery to – contrast sound of music and song theres. • Use blood, skulls, black backgrounds, flat graphics, – I but high-production values in design and style

es and melodies be super happy”, and

her positive fun kind of roce music. I Endlessly build on the contrasts and then

dichotomies – amplify fundamental

this

and

friction tension and harness the power and energy it makes.. 1. Make my music work like a means to an end that is also an end in itself. A prop that also is the lo

inte

the most main object of the movie, •Make my music work like a beautifully enticing

smokescreen – an oppressively lood and blaring distraction

that is that

also an invitation into itselfMake my music an aggressive show to obscure whats – really

in going

  1. Make on

it a super loud greggel

ringing vothat I con carefully fill with an I

Seening

TUTTI

dloss amoun

hollow ressent of ideas der many, many years, YOU’RE IN THIS FOREVER, ANDREW, YOU TOOK AN OATH –

2017

PAGE# 0016

Make your music work like, slight of hand (slight of ear) for the audiences subconscious mind..

You’re not just using slight of hand on them, you’re using it on yourelt too, Andren, the Make your music like a magic frich for the soul.

Smoke and mirrors, but make the smoke and mirrors o intense and overwhelmingly dense and complete, that

hy it can stand on its own and be loved even as a smoke show, Marke the sonore and mirror are covering up more mirrors MUSIC SOUND STYLE Dance music drive, disco pounding, techo slamming and Keyboard driven hard rocko music with KILA

orchestral instrumentation and lots of sound design, 1. Really, REALLY loud quitars, tons of quitors. Almost too mudy quitar Aldon Add tons of gritors and then really start adding guitars. Our Make your music super-produced, over-produced, epic and overwhelwingly intense hard rock music Straight to the throat.

po stick with hard rock music, regurdless 1. In the lung imove on”. Never really more – on, Only

intensifu ONLY GET MORE AND MORE INTENSE AND LOVER DEVELOPED. Never abandon, Never break your promise!

Hard rock music already contains intensity and amplification in its default instrumentation and aAtitude.

Surround your music with a deeply unsett atmosphere at times very brazen om etting Background Subtle, but always present lurking,’ that feelingsen

YES Ebbl/elt

on

at other

times very

PAGE# 0017

To Oppressively joyful melodies and chord changes,

  • fast driving rhyths. Simple pounding drums

Super major key. 1,4,5 with inversions imposed over the entire Major scale epic emotional chord voicings, • DO NOT USE minor pentatonic scales! Go minor

Wher for the many,

sake of unexpected and powerful anga geanamics make multi-year timeline for

dynamics ( ‘music changes and planned intensifying), •DO NOT make the music too outwardly flashy in terms of highly difficult of “shows off” technical playing or parts, simple medodies, Deceptively simple ports and arrangereits ONLY Simpaticinguistic and melodies, • Make your music style defined by a bombastic

and completely annihilating grandiosity – cinematic I production sensibilities. Big and huge and massive.

Heavily-processed – everything. Shouldn’t really sound like, “real instrument instruments should not sooneret minstruments. Individual

personality Make it almost violently shick and glossy. As much

loke it sound sheen as

inhuman. • Remove all semblance of organic, natural, or human presence from the entire sonic, palate. Even the vocals

sound should super human or Robotic

1

or fast too much to It’s the totality of the sound and are the presentation and covert atmospherics that add up to a ma te NO SOUNDS OF SPONTANEITY, NO IMPROVISATIONS NO REALITA O MAKE THE MUSIC MONOLITHIC (S.K.) MAKE IT SOUND ,

possible,

my total de

expression. No individual element is the

LÄCIEN, ne music sound like an grchetypal music from & Make the ternate version of life. Like its, always been another alt existed, never existed, and will always exist nenes Tat the same time, MAKE IT SOUND IMPOSSIBE

PAGE# 0018

Make my vocals sound like a crowd, like, no “one” is singing. No voice in particular. Make the listener hear their own voice singing the song in the recording the first time they hear it. Make it

feel like they were at the recording studio,

sinaing on the song, • Chanse vocal style radically in the long-ron?

tire different people to sing lead vocals on each album, but

but always always

say it’s say its

the same person?) . Unleash a gonic black hole; once an instrument and a performance goes in, it gets squashed until it’s completely obliterated into PURE ENERGY.

Maybe start out with a more keyboard driven hard techo sound and then go more hard rock on next release? Or reversed?) • Rock music is the best pre-established genre for because, by its nature, it helt by its nature it is simple yet, unconstrained

It can be both within the limits of itself. It can be both drawn

rawr and “ostentations at the same time. Plus, the Crock musician ” Archetype remains deeply established and understood by an extremely wide range of people. Even people who don’t like rock music

also beautifully boring, unassuming, humble and accessible . Yet it lis also completely limitless in its potential for every type of creatine intensity passion, extreme freedom, and conceptual movement, • Roch music (Hard roch music is the style of musi you are committing to embrace officially stray. GET THIS INTO YOUR HEAR, ANDREW!

tws and NEVER

borina

music

is

Roch

also beautifully

intensityit,

hard roch must brace

tusa

Page# 0019

1/2/1998

1998 Plan

1/2/1998 (1998 PLAN Andrew Wilkes-kier Move to NYC – Find a place to stay / apartment

Work at Comme des Garçons No work at Metro Pictures (?) art gallery los

To Start saving money

M et better walking shoes No figure out girlfriend situation and how to I Clear out all old stuff

I Get new style * Big, lifelong project (like the baseball cards

I with your whol ke the baseball

12 Work on my personality (make it better) . In Figure out music situation No Try to make some friends ? (maybe noters

M Eventually move most important stuff

into new set up Now Get van? (too expensive for parking, it)

  • Sign up for drug trial and als o mostecelse

Page# 0020

1/1/1998

Jan 1, 1998 to present

Jan 1, 1998

>

present

Income

comissions

sind – simary

lov. 1997- 1998 utilities – Gas phone bills

& electric

Summar

ng

Is molgas 25 mo select,

God mophone 780 rent 250mo food

75 Subway Hanse. 20 mo laundry

1.

Cut

off voice mail

call forwarding

  1. copies of VISA/ arc bills

f 12.55.00

$1300

Boo

Raches a

bot

Aaron 430000

va

# 250.00

Credit 12 30000

Cards

1200 delt * 1600 Computer

$3000

A 4500 5

3,000

Page# 0022

…continued from Page# 009, Equipment and Gear

COMPUTER G-FORCE

$2,000 o ou ELECTRA BX-450D ‘NO YAMAHA 30 SOUND SYSTEM W/WINDOWS 98

1-800-250-8144) W/SOUNDCARDS

47 W, 34th St Suite 857in • SOUND CARDS –

– DIGITAL AUDIO O MIDIMAN D-MAN 2044

I call

9.

order of

MIDI

SP036 $100.00 ( 2345

MIDIMAN MM-404

$4590

MIXER – MACKIE MICROSERIES 1202 – VLZ 12-CHANNEL

MIKEL

PVCD-R BURNER

MARANTZ CD-R

BURNER 630

$120000 o

MONITER AMP SAMSON SERVO 120

POWER

AMP

$17999

o

mdb

MONITERS RAM STUDIO

100

$25000

at




Page# 0023

SOFTWARE Cakewolk

pro-audio 8 PC

#31998

ore

o MICROPHONTE –

AKG C3000

Tha Condenser S1-

$31998

141

MIC STANDROGUE TRIPOD MIC STAND W/TELESCOPING Boom

2 b

$3999

oder & PO36 2385 $4590

AJO

22 BASE TOTAL $4,700

dfoo – $4280 +/W/EXTRAS $5080 +/

08->2. JOSANSAMe GT2 TUBE AME EMULATER

door $ 16929 104 ITEM 4 480208

SUA ONG o ROLAND EP-Q DIGITAL PLANO #87993

O ITEM # 70-0359 ore

20 $2948,73 MUSCIANS FRIEND A CREDIT CARD I ORDER 10/13/98

FIRST PAYMEM A OCTOBER

END OF

NEXT 5 to $1132 61 MORDER # P0365 140 $100%

ОТ

COC809

Page# 0025

Page# 0027

apple

  • YAMAHA 12-SARING

” FGX-4122-12 IREM # 50-0077

FIRST CARD VISA GUITAR = 1180 10/17/98 rata

$53997 $5992

$ 19999

$ 179 99

ORDER # P0368128 YAMAHA FGX-4126 6-string

VISA CLASSIC TEM #50-0076 $499.98 10717

ROLAND SC -880404 64-VOICE SYNTHESIZER MODULE NEM # 70-0062

$89994 Poe, MIL ( ROLAND EP-9 PlaITAL PLANO 2

Onaj SEMI-WEIGHED 9 8 79 d ITEM #70-0359 urt 1. YAMAHA P2ooo O DIGITAL PIANO

GRADED GRAND-Hamne ITEM & 70-0743 sploilo #191974

SANSAMO GT2 Tube AMP EMULATOR

& a Ty Tn USAA VISAH SANAMP PSA-I PREAMP $609 93 da ITEM #48-0202

PO370764

Page# 0028

Page is ripped in half

Dick Mister
go Smoke grass

Chump butt <3 sweet tweet

I will never smoke grass!!!

Not Good SM

 

 

Page# 0030

CLOTHING AND

IMAGE

AND LOOK

IDEAS

10/25/98

CRUST MAYBE START WITH A MORE PUNK LOOK? PUNK? LEATHER JACKET AND REEVELESS BLACK DENIM OVERK – METAL SPIKES AND STUDS. LOOK VERY DIRTY. ADD LAYERS SPORTS CLOTHES ? START PUNK FAKE, AND THEN FLIP IT to “HIP? SOMETHING LESS STYLISH, LEATHER PANTS ? OR JEANS, ATHLETIC Clonina – FUNCTIONAL CLOTHING, LET THE LOOK SEEM TO “EMERGE” . BLACK LEATHER JACKET OR WHITE LEATHER JACKET? MAYBE INSTEAD OF STUDS AND SPIRES LOTS OF DIFFERENT PATCHES AND EMBLEMS ATHLETIC LOGOS SHIRTS

MODULE or 0062 PO

MO ( ROLAND EP-9 DIGITAL PLANO

$89994

MI-WEIGHTED

$879 m

ITEM # 70-0359 TT YAMAHA PZobo DIGITAL PIANO

& GRADED GRAND-HAMMER ITEM & 70-0743

Palol #1,9191 SANSAMO GT2 Tube AMP EMULATOR

la USAA VISA W SANSAMP PSA-1 PREAMP $60g a no

A

 

Page# 0031

Looks like the AWKGOJ Poster / Bulb Records promo photos. 

Look Idea: Multiples

All Black Background

Spikes and studs

White Shirt

Black leather jacket

Filth Patch

89 Sports Shirt

Continue Making Music

Stick With The Vision

Keep Recording

And Painting For Cover Designs

Nice! No

 

Page# 0033

$344.22

Muscian’s

Friend

paid 10/26

GEAR TO GET D.SANSA SA –

itae $58993

Preamp Emulator IPEM # 48-0202 • Roland Ep- 9 Digital Piano ITEM # 70-0359 Musicians friend #879 as

Zoe• YAMATO 2200 Digital Piano LIRA & 70-8743

1 glagu To Roland SCR80 64-100

Dick SYNTH-MOD ITEM # 70-0062

$89gay I cor(ALESIS QSR 69-VOCE SYNTH-MOD LITEM #/70-5520

I $249.94 • DIGITECH STUDIO VOCALIST EX PROCESSOR ITEM & 18-0050

$7999 ART 351 Single Channel 31 Band EQ

$15999 AURALEN 2 INCH PYRAMID FOAM

CN

OR?)

# 27a 94

Page# 0034

CONTINED… FX PROCESSORS

BEHRINGER VIRTUALIZADO ITEM # 16-2409 -27 $2099

Ulta than

$2,29996

LEVENSIDE 3ooo-DISE ITEM & T8 Bloz Duos •dox DDP Digital Dynamics ITEM & 8-3546 o

Processor

850997

I PLAN OF ATTACK

10M. ONCE I GET COMPUTER SET upitnice SEE LIF I NEED TO GET ADDITIONAL EFFECT PROCESSIRS LANDA A HARCER MIXER.

LAND A NEED TO CER SE

DOC

palle

see Next

 

Page# 0036

TO ORDER ASAL… From MUSICIAN’S FRIEND.. OSE SAM ASH PRICE MATCH)

  • ROLAND EP-Q DIGITAL PIANDO

HEM #70-0359 $879 98

ROLAND JP-8000 HEM #70-0394

SYNTHESIZER

$1 19994

?

ROLAND HEM #

SC-880 70-0062

64-VOICE Mosure I

#89994

  • MIDI CABLES-4X ITEM # 33-6195 -2x ITEM #33-0100

15 to

$2,99 each $14 an each

n in

$79996.

  • DIGITECH STUDIO VOCAUST EX-PROCESSOR TRACK

HEM & 1800050 W ART 351 Single Channel 31 Band EQ a

ITEM # 18-0584

Charmel

#159929

AURALEX 2-INCH ITEM # 42-2622

PYRAMID

FOAM

$27999 7 (I RACK)

  • BEHRINGER COMPOSER PRO MDX2200 ITEM # 18-2403

#259 98

(

Page# 0037

Andrew – need to bring this number down. -Steev Mike

  1. BEHRINGER ULTRARATCH PRO PX2000

$7992)

Te

ITE# 18-2425

2 RACK) (1 RACK) (2 Rack)

Ultra

Harmonizer

ENENTIDE 13000-DSE ITEM 18-3102

$229996

T

Toolout WINDSCRED ITEM & 42-1010 RED

SPACE

60

q acupied )

RK-12 12-RACK ITEM #54-8112

$89.12 cephely

TOTAL

$4, 688,56

loun.

nunber

This

Page# 0038

Page# 0040

Cakewalk Questions

  1. Full Duplex?
  2. Sound Quality
  3. FX Plugins

Audition

Guardian Sound

548 W. 53

Wednesday

6:15pm

SHARP!

Jim 3rd Floor

Page# 0041

ggg NEW RECORDING PLAN TGEAR TO GET: $= ESSENTIAL O = NEEDED A = WANTED

TROLAND EP-9 DIGITAL PIANO (MF: #70-0359 #87998) Ppt all8

A

X NEW ULTRA-WIDE SOSI HARDRIVE 186 2 A FROM GLOBAL COMPUTER – $2,000+) :

12 No ROLAND OP-8080 SYNTH MOD I (MF# $129992 ) aan al 4 roce

USU

N• ROLAND SC-880 64-VOICE SAWTH nos KC

(MF:#70-0062 $89994)

  • MIDI CABLES

box – x (MF #33-6195 $2.99 each – Adapter F/F ut (MF #33-0100 6 $10 99 each ) #88 UM 2 x (ME4 33-0100 10411229 each) $52% OR

2 (MC# 33-0100 15 $14,99 each #30

  1. ART 341 Dual 15 Band EQ

R

I race

U (MEH 18-0587 $15999). Not AOLOR

  • AURALEX 2 INCH PYRAMID FOAM A CUP: $42-2622 $27999

2-2606

Page# 0042

Insert

Personality and attitude CONCEPTS IOFAS •Appear friendy and do the “nice guy” 11/17/98

actor’s role, while also working on/17/98

possibly evil in an opaque wong •Trickster hero, Start out being super kind Calmost too rice? Do opposite of stereotypical inaccessible performer have that for later SE TOO ACCESSIBLE) A S stationen

too in • Devalve autographs by doing and making there too easy to get Make it too easy to meet you 1. Build up all of the above until it’s expected

and taken for granted. Then contradict it in a very typical entertainer” woh be very unpredictable.

C • Never ever “evolve your personality or style too blatantly. NO CHARACTERS.” No new personas. Never “mature” or grow up in an explic of or operly stated way, • Just be the person FOR REAL, but never be yourself or a “character! No ACTINA, or actors. No public discussion of “concepts

or “characters! KEEP IT ALL PRIVATE!!!

Never be yourselt, never be myself, never be someone else, Never be. Never not be, DON’T TELL ANYONE ABOUT THIS !!!

Page# 0043

MORE PERSONALITY AND ATTITUDE CONCEPTS 12/18/98 • SOMEONE WHO IS ALONE, WALKING AWAY, WALKING BY WALKING DOWNSTAIRS, WALKING UPSTAIRS, ON THE SIDEWALK, IN BASEMENTS IN ANONYMOUS AND COMMONPLACE AREAS, FORESTS, SOMEONE WHO IS IN GROCERY STORES, PHARMACIES FAST FOOD PLACES, BATHROOMS, OTHER PEOPLE’S PARENT’S HOUSES, HOTELS, MOTELS • DOUBLES, DOPPELG À NGERS, MULTIPLES, MANY, ONE MIRRORS REPEATS, BACIVAROS, UPSIDEDOWN (LATER), °D.L. > LOEB Heerman FEEUNG BUT W REAL LIFE (GO OUT of “THE MOVIE” OUT OF THE MEDIUM) •TRANSFIGURATION, CRISIS, IDENTITY IMPLOSION, PSYCHOLOGICAL

COLLAPSE FEELING – BREAKDOWN FEELING • YOU ARE NOT AN “ARTIST “/ “I’M NOT AN ARTIST,” • NEVER REFER TO YOUR WORK AS “ART” • DON’T SMELL TOO GOOD. • AS SOON AS THERE’S AN AUDIENCE EXPECTATION, CONSIDER UNDERMINA IT, UNDERMINE YOURSELF • Change your handwriting in subtle ways throughout T. UNDERMINE MYSELF, GO EVIL? CALWAYS WAS?) • DOWN THE ROAD, LEAK HINTS OF A FORBODING SHADOW WHICH HAD ALWAYS BEEN THERE BUT WAS OVERLOOKED (DELIBERATELY), DESPITE HIDING

IN PLAIN SIGHT. HAVE IT ALL’GO DARK AND THEN LIGHT AGAIN AT THE SAME TIME DAY AND THE FEELING of this –

NIGHT SIMULTANEOUS

Page# 0044 inserts

FOR PRESENTATION

AND STYLES

GENERAL IDEAS 11/19/98

ANDREW KRIER pobe totally accessible and

Inaccessible at the same time Polse tricks and ? Social methods from DC.

courbel H. T W FALD

Manipulate people psychologically e impact then

Experiment with more tricks and manipulation Ordeals on f “friends sont

Make sure overall surface level & presentation goes to the very! I depths of the lowest common & denominator, while also pedon 2 appealing to the most remote

fraction of the audience that I are willing to go all the way 4 and beyond into the esoteric & Toyers. This is CRUCIAL.

 

Page# 0045a inserts

Page# 0045b inserts

Page# 0046a inserts

Page# 0046b inserts

Page# 0048

Mooss Про

DD SAZA rack DBX PB-48-POINT 1/4″ Patch Bay (ME: 18-3536 $12999) o

  • RK-16 16 RACK SPACER (MEITEMA 54-8116 $999) el

A T.C. ELECTRONIC WIZARD ANALIZER PLUS

(Me #18-3006 $2,34993) ut • ALESIS DM PRO ZO-BIT MODULE $69999 #70-1502 X EVENTI DE DSP4500 Limited Edition Ohrachomaizer D (Special Order – MSRP $5,895 4

OR (if ablaue not arresle A EVENTI DE DSP4000 Ultra-Harmonizer a

(Special Order – MSRP $4,9957 • ZIP DRIVE & DiskS $350 6

SAMPLER D E-MOOR AKAT epid- &8# MERRIE 1,699 I E-MU ESI-4000 Turbo Zip 6227 MSRP $12, 149.

2000 $ 1700

TOTAL (AS OF 11/21/98) $3,260 5200 2350

0 TOTAL (AS OF 1/21/98) $3,726. 1 $11,250 * O Atan (AS OF 11/21/98) #16 3 262

TOTAL NEEDED – $20,ooo N DIGITECH STUDIO LOCAUSTO?

Page# 0049

vok

PAYMENT

PLAN

  • BORROW $20,000 L c + 5/15/99 & REPAY IN 6-7YEARS? 8813

SkumpaST ANNUAL (APPLIED AT END OF EACH YEAR) $278 per month 18. FIRST YEAR $3,333 paid) St.

$16, 667 (balance) + 5% (interest

$17,500 (new balance)

Ang

2nd (SECOND YEAR $3,333 (paid)

$14, 167 (balane)

5% (interest

$4,875 (new balance) 3rd (3rd) YER $3,333 (paid)

$ 11,542 (balance) + 5% (interest $ 12, 120 new balance)

49 €

14th (FOURTH) YEAR #3333 (paid)

$78,787 (balance) 4 5% (interest $9,226 (new balance)

Page# 0050

Page# 0051

Page# 0052

7 and beyon

Tayers.

ANDREW W.K.

never let down WE WANT FUN

– maybe no basketball ?

RA # MJ0331 WRITE ON INVOICE USE MAILING LABEL FOR RETURNS WRITE ON NARING LABEL

Coobootine?

Maybe?

NO

t.c.

electronics

MAYBE

20 A

gost

MAY 2

1998

Page# 0053

I are willing to

beyond

  1. The

LONG DARK BROWN

HAIR

ANDREW Wi-K, IMAGE LOOK

417/1999

DIRTY WHITE ISHIRT

COVERED

IN

FILTH CONTEMPORARY DIGITAL WATCH

MIC

TUCKED PANTS

DIRTY

WHITE

JEANS

URINE

AND

PUKE

AND BLOOD

AND

SEXUAL

CONTEMPORARY L ATHLETIC

SHOES

STAINS

Page# 0054

2/20/99

Extra Brite Flourescent Yellow / Green Tank Top?

Shoes or boots

Blood Splattered White Pants!

Page# 0055

IMORE LOOK AND o MARCH 1999

IMAGE IDEAS TONY

And clothes… ‘General inage should feature long, dark brown hair, but not too long. Stereotypical “rock music singer” Make it so anyone, from a young child to a grandmother could say, “That’s a rock man” “That’s a rock singer, – Omy wear Athletic shoes!!!! Cross Trainer Shoes should

all Coss trainer running shoes basketball shoes. Contemporary only!!! Shoes should

clash slightly with rest of his look. Function over form! (DO NOT WEAR C.Tis!) (ocessionally contradict all of above) Sunglasses or eyes? or both? off and

h aft und see what you

on avent tooling at ” * EXTRAS: Flamel shirts, sweatshiAs, Smalporte, plain baseball hats – Hats would definitely hall of the moment e can creditore?

Clothes should primarily be timeless, perpetual, consistent,

and pure, but not entirely. 2- Clothes should be very basic and easy to find/ buy / replace

and maintain. Never should have to worry about de I protecting clothes – No Fancy” “Wardrobe about cleaning or

Clothes should be instantly recognizable but also disposible, sol shift and jeans” kind of thing, but with a twist of

some sorte Bright colors in photographs, bold color choice, brazen,

Black backgrousls, no location in particular • Walking in anonymous / generic locations, Relatable. – Mainte’n filth. (occassionally contradict ALMOST all

of the above)

embr

Page# 0056

JEANS & T-SHIRT ALL IN DIRTY WHITE

LEVIS 5015 AND

HANES OR FRUIT OF THE

sayers. Il

727 Be able to be seen and identified • stand

easily out without saying look at me” with the usual clothing loudness..

Be recognizable and bold but without any glitz ör rhinestones,

DA All grey clothes? between blick and white? be both? BE BOTH.

Blank outfit, sacred, pre BAINST ATTE • Bright colors, rainbow ? JOSH – Prism -> full spectrum ? white • White Rothes would show up well on stage and in typial pode music” environments white clothes has a blank canvas” look and also “open for projetion & feeling. Let the audience project onto the plain white clothing.

Like a movie screen. Real life person movie, White clothes also will show case, stains and dirt and filth really well. Should take full advantage of this, It’ll be easy to look SUPER filthy. Always wear a watch – what time is it?

(Cheap but durable watch) Never take off shirt !!! (Occasionally contradict all

of this… or not)

LOOM

 

 

Page# 0057

A TATTOO IDEAS

ALL SKULLS? COVERED YMANY DIFFERENT KINDS OF I SKELETON FATTOOS? SUPER

VIOLENT AND GORK

I Get meaningless tattoos

that don’t express” or i represent anything other

than meaninglessness” and “expressionlessness. A fatto

that represents nothing I Not even a basic shape

Maybe just a line ? Bota The simplest tattoo possible

Page# 0058

should be

easy

Tattoos to fake, easy to cover up, easy to replicate. I At the same time

they should be very specific and unique, but not loud I Lines on arms and I hands could be best

Just a plain black Iline – different lengths.

and thicknesses ?

Page# 0059

278 persi

LOOK

AND IMAGE

3/9/99

RS)

Pseudo-consistency and Pseudo-reliability

Pretend trustwortliness Pretend stability

ECOND

the

Always look essentially

samle. SANTA CLAUST

OURTO

TRY to Look… Superhuman 9 Inhuman

Superhero like an alien Like a statue look very regular run of the millio ns

NOWOlook like a dirtbag Don’t look too good Be extremely dirthy Dirty fingernails –

a

in

filth

Page# 0060

asdf

 

Page# 0061

Page# 0063

121952X30211301644

5th GIFTH YEAR

$3,333 (paid) AJA $5,893 (balance) + 5% (interest #6,188 (new balance)

th (SWTH YEAR

$3,333. (paid). $2,855 (balance) & 5% (interest $2,997 (new balance) A

the FINAL YEAR

$2,997 (paid)

$0 (no balance)

very “mainstream Major label music, big t hrands. glossy magazines- total, oversaturation

like all as it was appearances, corpore

and on

an intentional

Vok

term

long

managers poout a

beser

Page# 0064

a are

7 and

Joy

10/30/99 Roland JP 8660 etc.no ORDER #P0403997

GRAND TOTAL $3977,60 )

noney

HA ne GRAND TOTAL $3,07122)

# 1719528302 11275254 ROLAND EP 9 DIGITAL PIANO

na EA 334 OBOCAH P0404076 $949.98 #399 124 congenith retuhon USA A VISA $1.2118 in 2-ORDER TOTAL $4,021.20 cua

MINUS VISA 121,20

# 3,900,00 FIRGX PAYMENT & 1 900.00 ON CHAGE M. & 1 100

qr 5 MNTHLY – $ 400 each Rack-Mount Screws #Po415019

Page# 0066

depths of

that to

think

people

have

PRE- HISTORY, ORIGINS BACKSTORY:

& denominat

7/9/1999 at ‘secret’ backstory. Try to make it seem like I wanted to one

appealing o think that

of I was some sort of false “child prodigy I ll trained musician? Violin? Flute?

and beyon

Make it seem like the one “real” Andrew Wik. (false actors actually learned how to play music really young (4 or 5 years old?) Some kind of traditional instrument, piano? YVÖT GWIYARI

Sandfalse-genuine stories about crass and Also set up scenes and false-genuine stories a disturbing “avant-garde art” background,

W o Pretentious associations with harsh and aggressive immoral a n art counter-cultural fringes. Frightening and belligerant tones and attitude, “Extreme” and “experimental” underground dark shadao. Then do the total opposite. Make it look like a massive Ultra-orchestrated multi n o dimensional and

coordinated Ivery “mainstream

explosion of

purpose. Major label music, big TV appearances corporate advertising and

and thoutI brands, glossy magazines- total oversatuation

shoving. And make it look like all of it was an intentional plotted “about face” rather than a natural organic development Everything should look sound, and feel deeply synthetic and anti natural and paranormal and orchestrated (but at the time, people should wonder if it really is all and

scripted plan, or i orchestrated, and

f thau’re – to think that

that it’s all deliberate and calculated – perhaps even after the fact.) Maybe there was deliberate planning to make it appear as though there had been false deliberate Planning & The entire “mainstream” launch should balatovecnicht-success-storu

have the feeling of Ian archetypal overnight-success-Story.

n

Andrew W-K should seem I like it came out of nowhere

on deeper examination,

and the audience could

then, on discover the carefully “hidden

health

planted post

rated east and dark origins” and contradictory and transgressive backstory & Should feel upsetting in a profoundly exciting way – like hardcore pornography. No slow-climb up-the-ladder ” just appear to appear like magic. Must never feel “real” or “false” Be between and be both. Call back electrician. Before 5pm

& El Toro… etc.

 

Page# 0067

a

An should

stepths Assemble

denomin or invent “big team to make crew of

appealing

it lawyers

look like pulled the

Dad strings

and and

a fractiona

financed this angle to cover up

the push (use the talent scout” and

are willin payments

model-search” and beye contracts, as well as the original Los Angeles

Florida situations.

and Tayers. Make it seem like Dad actually Is NOT do all the work behind the scenes. Should pay – off all “no-show shows, etc. Once the “Andrend Wok. 4 first “Moves to New York City” make it appear like there was no audition process (no multiples) It should look like there was only ONE “chosen one ” for the role. Don’t talk to anyone except S.M. about how The Louise Harlant Corp. actually started. The office doesn’t even need to a ou They don’t need to make sense to themselves. It

ad always seem like I’m never there – absentee. There ould also be multiples call me) that only look like pawns

a “game” (this is NOT a fucking game), This is NOT consciously about sex. Use agreement with top handler at Corp. to trade

power-play payments for access to “favors” and finding to Bay off label (unissony, media budget, TV airings and time. Slots, and the rights to the “signing-away-your-rights plot and storyline w/ (privacy). Later trade-off should make this risk worth taking. Tous Launching in foreign country could be a good idea, but only if we can secure and coordinate same media orchestration and “overnight-success” appearance (as thetic. Do test-run of

tration possibly in Asia? Or UK could be better due to language English. Intial test-run should also preview prop plants regarding “evil origins” and dark bad guy ” frightening elements. Try to orchestrate an unofficial off-the-books) collaboration

goverment with a

agency (foreign that can create the appearance of controversy over some aspect of the initial

This should presentation.

hopefully) all Tout-of-nowhere “

this isn’ta the to give

subtle feeling that

audience work

lining

they’re feel like shouldn’t

present adding-up past and

come from

incongruency should Up.

of hypocrisy, and First waves

Coordinat L.H.C.

throughs, overseas test run trials and run team to manage both sides (to be the “enemy” and to win, lose,

hestrate an geeney foreign come aspect at hopefully

addlings up to dates of bu postavad run the enemy”)

Page# 0068

TO GET AS OF 12/8/99 • FINALAZER / MASTERING ORY t.c. electronic D Max (41st $3995 ) sweet and

t.c. electronic Findlizer Plus 18-3006 $23496 M. F

  • NEW
  • SAMPLER

E-MU ES1-4000 turbo Ze 6227 TIME $1699

  • SAM

DS

  • DRUM MODULE – ALESIS DM PRO T.M. F, #70-1502

$6999

– If

& EFFECTS PROCESSOR

Eventide DSP4500 sweetupter #1SP4500

$5, 100g

  • ROLAND 3P-8080 t, Mifi

#129924

M.E

Bass

Kent

Windse

ss Neuw

 

Page# 0069

sweet water n.F

TO GET AS OF 12/11/99 IN ORDER OF IMPORTANCE NEW HARD-DRIVE $2,000 SAMPLER E-MU ES1-4000 Tubo Zip $1,699 • DSP 4500 ) bor sa $5,1000 – IF NECESSARGAO J. Jen

etc electronic BBMax

Iggg

23995 do

100%

sas

9998

o

de

1/4″ to RCA XZ 330138 Bass String og 100377 Keyboard Covers 549211

xlarge.

ge (backordered) large row

Windscreen

421010

Neuman Pee pop

$5290

$ P0469415

ORDER

Page# 0071

CHUCK NORIS

TOTAL GYMIST 12/16799 TB 16800 856-1500 9-9pm 7 days

So, FIRST PAYMENT $103 24 Ninfasadu. Moow. p 12 #53. z9 GET FREE WEIGHTS TOO (10lbs 20165 45 165?)

1/26 M… ORDER Red Strat er $201.93

se GRDERA P0487672

mowhs

19

+

– WORKOUTS WITH TOTAZ GYM TWALK AROUND THE BLOCK 13 TIMES FASTI) *No more running, Get more muscle and gain weight, Eat more food. ? GOOD Foods PASTA (EAT WHOLE Box with WHOLE JAR OF SAUCE) priluk • PROTEIN POWDER FOR SHAKES? e nder (Too deponsive?

MEAT FROM FRESH TORTILLA (chicken and beer) PRICE AND TUNA (FROM can)

Page# 0072

A CREATIVE

CATIVE VISION NOTES WAAR

TALK ABOUT THIS, TIKRAINA WHAT YOU’RE DOING CALL

ADON’T TALK

ABOUT

THIS!

ANATA O NOTD Now IS 1E VIL VOM

MASKIN

LEEVES WIDE SHOT AND 2001~5, K. Bu make my work feel like Ceyes wide Shot,

but REAL . Make it feel like a movie in

real life, Make the whole thing a living Ju movie. Go beyond a story into real life! SE REAL LIFE MOVES A < WREALI FE MOVIE & REEL LIKE MOVIES 4 O MAKE MY MOVIE REALE

AF ANDREW W,K, IS REAL ES (FAST!)

KJA MOVIE THAT IS REAL

> MAKE MOVIE MOVES THAT MAKE ME ENCE)

O REAL. FRA REAL LIVE BOY BE SOMETHING THAT ISN’T CH ANDREW W,K. FEELS URE REAL UFE,

and

A MOVIE THAT ISN’T A MOVIE A PAINTING THAT ISN’T A PAINTING A PERSON THAT ISN’T A PERSON

Wave

Page# 0074

dehor

CUT YOUR” I” OUT

frict I are a

I and

a

Tayer

HAVE CUTS ON FACE ‘CUTS ON FOREHEAD BLEEDING INEXPLICABLE INJURIES BAND AIDS SURGICAL TAPE ON

FACE

SELFNEGATED

CROSSED

CROSSED EYE O CROSSED ITC

ngover

A MAGI

CHARG

Page# 0076

TONES AND ATMOSHERE NOTES-CONTA MAKE MY EXISTENCE FEEL LIKE A MOVIE A CINEMATIC ATMOSPHERE DOES A MOVIE EXIST OUTSIDE OF ITSELE? MAKE SOMETHING THAT DOESN’T EXIST) REAL US FAKE A FAKE REAL PERSON ORGANIC VS GYNTHETIC AUTHENTIC US PHONY (AREAL SYNTHETIC? I AM NOT A CHARACTER MARE I AM A REAL LIVE BOY asms. I 7. I AM NOT A PERSON

I AM A FEELING VOM NEVER DESCRIBE THINGS AS A CHARACTER OR A STORY OR A CONCEPT

(OCCASIONALLY COMTRADIT TH YA FAKE FAKE 0. W.< HGWECITH H.

A FAKE HOAX ? DO NOT BE FACELESS OR ANONYMOUS;

THAT’S TOO EASY BE HIDDEN IN PLAIN (BE COMPLETELY EXPOSED AND VEILED

AT THE SAME TIME BOTU All ALWAYS BE BOTH!!! |

ІННЕН

explicht?

EIGHT,

Page# 0077

All Ways Be Both
This is good

Why? No More Overt Sports Themes?

Jordan

Let’s talk SM CAll Me!!!

12/10/99

 

Page# 0079

Lift more weights!

Page# 0080

12/9/99

Pizza Guitar
Yes

Jordan 23

Why and what is this guitar?

Too obvious needs to be smaller!
No
More Lowkey

Page# 0082

Make a homunculous?

homunculus

 

Page# 0083

SENTO 0307

MORE

GEAR

TO GET

12/1999

TAB mbotomy

MUSCIANS FRIEND

3000 DISE FX PROCESSOR #1831023

$2,2992

FINALIZAR 2 1830065/

PLUS shal

#2.31999

BEHRINGER MDX220 # 1824036 V 2

COMPRESSOR $259 24

DBX DDO #1835466

#49999

DBX 2215 #1635623

$42992 DUM

DBX latchbay i n #1835363 a $12999 A 10

U 92 SOV (SWEETWATER SAU 4 D ANTARG ATR-1 AATRI HW $aggot

RACK WOR$3ool)

#O5R24

Page# 0085

OUT

CUT ON FOREHEAD PGLAND? MIND’S EYE SLICED OPEN CUT LOBOTOMY ZAB LOBOTOMY BLOODY NOSE POURING OUT FROM BRAW DEATH

Page# 0086

Page# 0088

CO NEW SOLO LOTHER T NAME IDEAS I WORK

BANO ALAME OR SOY (MAKE IT ASOLO ACT BUT WITH THE SOUND

AND PRESENTATION OF A BAND? NO! A. Wilkes-krier AWKAFWK >ANDREW PEOTERY

tvilkeskrien LUO I WILKES-KRIER Å WILSON – KNIGHTS Bouth? * Fetterly? WILKISHIRE WILKESHIRE? v

WILKRIERA

neity itu VILKRIER tot Plug WILKES-KRIER to clara y VILKER ( Bad

ZAWB

VILK W ANDY ANDREW KACER? CREER Wherentak ANDREW CAREER CRVER) cony of MAKE IT SEEM LIKE ‘WILKES” AND “KRVER”

ZARE MADE UP NAMES? IS THIS NAME JUST 15 TOO LONG TO USE? PEOPLE ARE GOING TO MISPRONOUNCE

el – Do I EMBRACE THAT? THINK OF OTHER ENTENAMES OR A WAY TO MAKE THE MISPRONOUNG ARON

? WICKSKREER WICKS CAREER TOKS WILL KILL FOR REAL? TALK TO DA on a WILKES-BRIERS ABOUT ME N ADY WARHOLT AANDY WK, H

o approces *ANDREW W-Rex

12VHUL

AMOY-BAUFNAN

ANDREW W-R, 6

N

Page# 0089

PAYMENT

HISTORY

S

$167

PQ365140

MC

Sec. – Apr May Novi Mar. Apr 25th

– $365

on

VISA

IND

MAN?

Expenses now RENT $650 1 month A Andrew: FOOD #100/week UTILITIES # talk to landlord you are pretentious SUBWAY #5 – $15 / week dep and passive-aggressive

and studid.

HEY

M

ea about creative

Director

PDLE

MIGON

Call about the SM test

Monday 9:30am 212 714-4646

Ask about actors and singing contract

ΝΟ

and

a

 

Page# 0090

plos si I ANDREW: I START OUT WITH AT LEAST E TWO OTHER ACTORS, FOR ME.

SNTL Entrous I HAVE THEM BE YOU FOR THE P FIRST 4 OR 5 YEARS AND THEN agressive

you CAN START DOING ANDREW I Wok., BUT ONLY IF YOU KEEP MULTIPLES IN THE BACKGROUND DO NOT HOG THE SPOTLIGHT, JUST MKE IT LOOK THAT WAY? LET THE OTHERS BE YOU JUST DEAL WITH THIS ANDREW. You S CAN BE YOU LATER DOWN THE • ROAD BUT ONLY IF YOU PASS

THE SIM TEST FOR THE FIRST FOR YEARS, MTS DOING THIS WILL BE THE MOST CHALLENGING, CONFUSING AND PAINFOZ FART OF YOUR START IN THIS WORK. BUT IT’S FOR YOUR OWN GOOD IN THE LONG RON, SO RULE IT!

Page# 0091

COMBINE STYLES OF AW HAK AND

ANDREW: – YOU WERE BORN TO BE

AN ?

ANESTESIONES ROM

BEHIND Jelentia

*you CANNOT BE THE FRONT MAN! e aggres

I CANNOT BE THE”FRONT MANA , QUO AUDITION AND HIRE SEVERAL M

PEOPLE TO BE IN THE SPOT n LTHOTLIGHT, HT WOH Ton ou

TE

I MAKE SURE THEY LOOK LIKE 2 EACH OTHER AND THAT THEY

LOOK LIKE you,

AND I SHOULD TRY TO LOOK T22 LIKE THEM TOO. WE CAN

ALL MEET IN THE MIDDLE AND LOOK close. MULTIPLE FRONT MEN IN TASE SOMEONE GETS TIRED DON’T BE THE FRONT MAN!!

OM AT

Page# 0093

1223/99

N

LITLOVE. ONO

BLOOD ORIPS

oooo COME?

BLEEDING BlooBBATA SOAKED 16 Blood

AROUND

Page# 0094

IXMAS

99

LIST

Buy NEW NOT USED!

og i NEW XMAS 99 10

TGEAR TO GET

Buble GEAR

&

NECESSARY

AF MAYBE

A•FINALIZER EXPRESS $999 A MUSCIAN’S FRIEND #18307 ГМОЛ CAU).

  • HARD DRIVE 19 GB $1,600 MOM OK to dox DDP Digital Dynamics Processor $49999 I MUSCIANS FRIEND #1835460 PAID

YO 099MC 313 A EVENTISE 43000 DSE $2,299 VAR

MUSCIAN’S ABLEND #1831026 ME M BE •AVESTS MGQ 230 Graphic EQ 229

WOMAN’S FRIEND #48252162

A dbx 2215 Dual 15 Band EQ $42999 OK

MUSLAN’S FRIEND IP #183562B PAD

МОМ

todox 286A Mic Preamp $29999

MUSCLANS FRIEND #18354189 Adax PB-48 Patch B $1299 / MUSUANS FRIEND *1835365 X

dia OBRK Oak Rach Morant $314.50 I sweefaster #05R20 na

Page# 0096

Tel Y AMX V $999 a s

DOPPL Vitalized

Sun

Suketurter

AVITALIZERJACK

1E POSSIBLE

A • ANTARES ATR-1 $999.

H AR-1 sweetuister im una

  • ALESIS DM-PRO $699 MUSCIAN’S FRIEND #701502B

ON

NE

MAMBO

4/10/99 ORDER #P0569023 odbx is band EQ #183562B al

dox DPP a 1835460

PROVIDIAN MCh PROVIDIAN VISA

$995 12 $ 60.00

dox 266XL Compressor / Gate MUSCIANE, FRIENT #183515 $14900 Rack from Dr. Sound on

Mom

ЛОЛУУ

Page# 0097

 

(Apoy

sa Starr

  • CANDY BAR GUITAR • PIZZA GUITAR –

NERA’S Oos-IX GLO GUITAR

ar 7654 EYEBALL GUITAR?

OR SOUND 20 21 22 334-5478

llam

OOSOS

GLOBAL

BE TH

$1300 / each addittional tommarrow

$965

bring machine 10am

Page# 0099

NEW ORDER FOR MULTI-FX

  • ALESIS Q20 MULTIFY

MF #2516013B

$79999

  • BEHRINGER

ME 182409B

DSP1OOO VIRTUALIZER A

$ 20999

DIGITECH XP-300 ME #150167B)

$19999

مه

$1200.97

CABUG MF# 332000C

4x I @ 39915961 4x 3 @ #4999 1796

4×6 @ 499 rq gb IMF & 330050

2x 20′ @$199 2398

Page# 0100

ORDER FOR MULTI-FR

SONY Des – 855

#44999

ORDER #

P0585612

#180957C

IZ 1952430212465789

  • ZOOM 1204 #1819460

STUDIO $1999

1

DIGITECH XP-300 #1501670 $19999

o

  • DIGITECH XP-100 #150165C $16999

torved

  • CABLES

$7786

91 $1,09782

Ask Dad about #and contract Remember, New

Light bulb not inding to split?

Page# 0102

Page# 0103

Page# 0105

Page# 0105a

See through writing says:

andrewwk 19.99 month

musicordie USAA

sign on

(718) 206-4492 Freejumps
(718) 208-4492
(718) 200-4492 

toll free help line

800 395 8420
800 395 8460

http://home.earthlink.net/~andrewwk/

 

Page# 0105b

See through writing says:

andrewwk 19.99 month

musicordie USAA

sign on

(718) 206-4492 Freejumps
(718) 208-4492
(718) 200-4492 

toll free help line

800 395 8420
800 395 8460

http://home.earthlink.net/~andrewwk/

Page# 0106

1/2/2000

Black
Back
Ground

High-quality photography

Blood
Hat?
Axe?
Skull Face

I Get Wet Cover

 

 

Page# 0107

Andrew WK

Andrew WE

O And

No Andrew WK
AnKrew
Anhead

Solid Metal Cube

Black Box

Black Tron Box Cube

Andrew Disney

Pic: Cube Cross

Page# 0109

Andrew WK

A.W.K.
AWK

777
Needs to be more angular
Sharper A
Like a star

Page# 0110

Andrew WK

SM: Good Work

Need to be able to write fast!!!

CROSSed OUT

Note: Very important that line strikes through the entire Andrew W.K. name try to line up the strikethrough line so it crosses the middle bar of the letter “E” and also makes the final leg of the letter “K”. Important that the autograph looks crossed out. The final line completes the name and negates it!

 

Page# 0112

Andrew WK

SM: Important

My name is Andrew W.K. and i love music!!!

Hi!!!
High!!!

1 2 3 4 5 6 7 8 9 10 11 12

Page# 0113

A b c d e f g h i j k l m n o p q r s t u v w x y z 

More square or more spikey and triangular?

Hello!
My name I5 Andrew W!K?

Hello! My name I5 Andrew W!K?

Hello
My name is Andrew W.-K.
( exes or dots? and dash )
I’m From Hollywood
I’m From NYC New York City
Yours Truly,
Yours Falsely,
Yours Always,
Yours All Ways,

I Love Music! And My Name Is xxx

Note: (my)
Make the Handwriting look very stiff and as though it took great 

Make music or die!!!
Make music or die!!!
I Love Music!!! Never Let Down Forever!!!

Should the autograph be more fluid? AndrewWK No. 

 

Page# 0115

1/3/00

Be associated w/ grocery stores
Align myself with junk food, junk food, and pro-sports? candy?
Food that everybody likes
Pizza Tacos Nachos Cheeseburgers
Picture: Hot Dog

      F
      M
DAME
Pro Sports Basketball Stadium Arena Anthem

Join

Fame = What everybody loves
Infamy = What everybody hates -> Evil

Riddle and False With things everybody hates. Make tension and conflict between being loved and being hated. Make music my old “friends” won’t like. 

Do what I don’t want to do
Go where I don’t want to go
Talk to people I don’t like
See what I don’t want to see
Hear music I don’t enjoy
Feel feelings I strongly fear
Mind Workout
Soul Exercise

Picture: Face

Looks like a puppet
Thank you

Page# 0116

1/4/00

THEMES,

MAIN THEME >> URGENT!!!!

PUBLIC / EXPLICIT, CONSCIOUS)
HAVE A MAIN THEME – A MAIN EXTERNAL THEME. A VERY BLATANT THEME THAT CONTRASTS AND CONCEALS BUT ALSO COMPLIMENTS A SET OF HIDDEN INTERNAL THEMES.

A simple and Loud Main Theme
Loud Mental Impression

SUPER COMMONPLACE AND GENERIC, LIKE A CALLING CARD.

A ON MO A NON-VISUAL LOGO, A 22 SOMETHING THAT IS TIMELESS AND HAS A ALWAYS EXISTED FOR PEOPLE IN A POSITIVE WAY, JOHoa YAC TZA SOMETHING YOU CAN GLOM ONTO AND ATTACH YOURSELF TO, AND EVENTUALLY OVERTAKE, GOAL WOULD BE THAT YOU AND THIS & THEME BECOME INSEPERABLE. THEME SHOULD PROVIDE THE BENEFITS OF LOWEST COMMON DENOMINATOR. EASY TO GRASP, MEANINGLESS, BUT OPEN TO INTERPRETATION AND MISINTERPRETATION – FLUID AND FLEXIBLE. Tous no FNSTANTLY GRASPEN EASILY UNDERSTOOD AND ACCESSIBLE, ANYONE CAN GET IT,

hat’s

-peob

Page# 0118

DON’T BE LAZY

ANYONE CAN RELATE TO IT, EVEN IF THEY DON’T LIKE IT A

MAKE IT UNDENIABLE AND INESCAPABLE, * KID FRIENDLY BUT ALSO VERY ADULT.*

DANGEROUS BUT ALSO NAIVE AND LITE, UPLIFTING BUT ALSO INNOCENT AND KIND OF CRAZY, SCARY CHAOTIC.

Olsund QUA RAQL SOMETHING THAT INSTANTLY CONNOTES GOOD TIMES AND ELECTRIC ENERGY

w

FIRST DAY OF SUMMER FEELING. a LAST DAY OF SCHOOL FEELING 1209 FIRST TIME MAKINA-OUT FEELING. THRILLINA, EUPHORIC, ORGASMIC,

Always encurage the audience te

TOP OF A ROLLER COASTER HILL AT MGHT ABOUT TO GO OVER THE EDGE

I

FEELING.

UP

MOVO MAIN EXTERNAL THEME SHOULD BE SINGLE WORD NOT A PHRASE NOT A SEGAN. IT’S AN ACTIVE WORL,

A power worl, AN ENERGY word. Z WORD THAT SCREAMS OUT IN A SUPER

BLUNT WAY….

Page# 0119

Page# 0121

Page# 0122

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PARTY / PARTY / PARTY

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IMPLICIT THEMES AND UNDISCLOSED ATMOSPHERES (CONT.)


DISENCHANTMENT
FALSE MEMORY
MISSING TIME
NIGHTMARES
DARK
COMING-DOWN
DOUBLES
MULTIPLES
REPETITION
ILLUSIONS
MEGA- RITUAL
GODDESS
MIND
SUBTLETY
NUANCE
RESTRAINT
IDIOSYNCRASY
AMBIGUITY
CONTROVERSY
INCOMPREHENSIBILITY
INSECURITY
SUBJECTIVITY
FLEXIBILITY
FLUIDITY
CURIOSITY
CONFUSION

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